Erhard Göpel - Revision history

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Local Wikibase: Art markets

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A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the _Sonderauftrag Linz, _he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).

'''Literature''': Christian Furhmeister, ''Erhard Göpel im Nationalsozialismus - eine Skizze'', München: Zentralinstitut für Kunstgeschichte, January 2018. Online at: [about:blank urn:nbn:de:bvb:255-dtl-0000003675] “Sammlung Schloβ” in Birgit Schwarz, ''Hitlers Museum. Die Fotoalben der Gemäldegalerie Linz'', Wien: Böhlau Verlag, 2004, pp. 77-78. [about:blank Art Looting Investigation Unit], Final Report, p. 35.

Works written by Dr. Erhard Göpel can be found at: [about:blank https://portal.dnb.de/opac.htm?method=simpleSearch&query=116705000]

@@ Line 14: / Line 14: @@
 === Events Erhard Göpel has been involved in ===
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@@ Line 12: / Line 12: @@
 Works written by Dr. Erhard Göpel can be found at: [about:blank https://portal.dnb.de/opac.htm?method=simpleSearch&amp;query=116705000]
-=== Local Wikibase: Art markets ===
+=== Events Erhard Göpel has been involved in ===
 {{#sparql:
 SELECT ?item ?itemLabel ?person ?personLabel WHERE {

← Older revision		Revision as of 21:58, 29 July 2021
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	Works written by Dr. Erhard Göpel can be found at: [about:blank https://portal.dnb.de/opac.htm?method=simpleSearch&query=116705000]		Works written by Dr. Erhard Göpel can be found at: [about:blank https://portal.dnb.de/opac.htm?method=simpleSearch&query=116705000]
		+
		+	=== Local Wikibase: Art markets ===
		+	{{#sparql:
		+	SELECT ?item ?itemLabel ?person ?personLabel WHERE {
		+	?item wdt:P101 ?person.
		+	?person wdt:P4 wd:Q7.
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@@ Line 6: / Line 6: @@
 |operating_at={{#statements:P118}}
 }}
-A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the _Sonderauftrag Linz, _he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).
+A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the ''Sonderauftrag Linz'', he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).
 '''Literature''': Christian Fuhrmeister, ''Erhard Göpel im Nationalsozialismus - eine Skizze'', München: Zentralinstitut für Kunstgeschichte, January 2018. Online at: [about:blank urn:nbn:de:bvb:255-dtl-0000003675]   “Sammlung Schloβ” in Birgit Schwarz, ''Hitlers Museum. Die Fotoalben der Gemäldegalerie Linz'', Wien: Böhlau Verlag, 2004, pp. 77-78.   [about:blank Art Looting Investigation Unit], Final Report, p. 35.
 Works written by Dr. Erhard Göpel can be found at: [about:blank https://portal.dnb.de/opac.htm?method=simpleSearch&amp;query=116705000]

@@ Line 8: / Line 8: @@
 A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the _Sonderauftrag Linz, _he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).
-'''Literature''': Christian Furhmeister, ''Erhard Göpel im Nationalsozialismus - eine Skizze'', München: Zentralinstitut für Kunstgeschichte, January 2018. Online at: [about:blank urn:nbn:de:bvb:255-dtl-0000003675]   “Sammlung Schloβ” in Birgit Schwarz, ''Hitlers Museum. Die Fotoalben der Gemäldegalerie Linz'', Wien: Böhlau Verlag, 2004, pp. 77-78.   [about:blank Art Looting Investigation Unit], Final Report, p. 35.
+'''Literature''': Christian Fuhrmeister, ''Erhard Göpel im Nationalsozialismus - eine Skizze'', München: Zentralinstitut für Kunstgeschichte, January 2018. Online at: [about:blank urn:nbn:de:bvb:255-dtl-0000003675]   “Sammlung Schloβ” in Birgit Schwarz, ''Hitlers Museum. Die Fotoalben der Gemäldegalerie Linz'', Wien: Böhlau Verlag, 2004, pp. 77-78.   [about:blank Art Looting Investigation Unit], Final Report, p. 35.
 Works written by Dr. Erhard Göpel can be found at: [about:blank https://portal.dnb.de/opac.htm?method=simpleSearch&amp;query=116705000]

@@ Line 4: / Line 4: @@
 |wikidata={{#statements:P5}}
 |occupation={{#statements:P117}}
-|place_of_operation={{#statements:P118}}
+|operating_at={{#statements:P118}}
 }}
 A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the _Sonderauftrag Linz, _he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).

← Older revision		Revision as of 19:57, 29 July 2021
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		+	{{PersonInfo
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		+	\|wikidata={{#statements:P5}}
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		+	\|place_of_operation={{#statements:P118}}
		+	}}
	A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the _Sonderauftrag Linz, _he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).		A trained art historian, Dr. Göpel officially started acquiring artworks for the ''Sonderauftrag'' ''Linz'' in May 1943. Together with Bruno Lohse, Göring’s agent at the Jeu de Paume in Paris serving as deputy director of the ERR in France, Göpel played a leading role in the acquisition of the Schloss collection. In April 1943, and in the absence of Dr. Hermann Voss, Director of the _Sonderauftrag Linz, _he took charge by authoring a lengthy telegram to Martin Bormann on the collection’s cultural value, its seizure, and its importance for the ''Sonderauftrag''. Together with Lohse, Göpel selected 262 paintings for the ''Sonderauftrag'' and was charged with working on an inventory after the collection had reached the Jeu de Paume on 03 November 1943. In early December 1943, Göpel personally accompanied the transport of the collection to Munich, which was subsequently received by Hans Reger, the architect in charge of the ''Führerbau''. In March 1944, Göpel secured two more paintings from the Schloss collection. After the end of World War II, Dr. Göpel defended his work for the Sonderauftrag and his involvement with the Schloss collection. This was especially evident in a 1953 written self-interpretation, in which he captured his understanding of a talk he had in 1951 with S. Lane Faison, the then director of the Munich Central Collecting Point (MCCP).